"We Have All the Time in the World" is a James Bond theme and popular song sung by Louis Armstrong. Its music was composed by John Barry and the lyrics by Hal David. It is a secondary musical theme in the 1969 Bond film On Her Majesty's Secret Service, the title theme being the instrumental "On Her Majesty's Secret Service", also composed by Barry. The song title is taken from Bond's final words in both the novel and the film, spoken after the death of Tracy Bond, his wife. Armstrong was too ill to play his trumpet therefore it was played by another musician.[1] Barry chose Armstrong because he felt he could "deliver the title line with irony".

The song was released as a single in both the US and the UK (under the abridged title "All The Time in the World" in the UK[ to coincide with the release of the film in December 1969, but did not chart in either market. The recording became a hit in the UK twenty-five years later, in 1994, as a result of a Guinness beer commercial, after My Bloody Valentine chose to cover it for charity. Armstrong's version was then re-released on vinyl and CD and reached #3 in the UK Singles Chart and #4 in Ireland. In 2005, a BBC survey found that it was the third most popular love song played at weddings

In addition to My Bloody Valentine, "We Have All the Time in the World" has been covered by The Specials, Iggy Pop (whose version plays during the end credits of the film The Jacket), Fun Lovin' Criminals, Vic Damone, Michael Ball, Giorgia Todrani, The Puppini Sisters, Tindersticks, The Pale Fountains, Propellerheads, Shirley Bassey (for a later withdrawn album of Bond themes), Thomas White and Alfie Boe.

John Barry cited "We Have All the Time in the World" as one of his favorite Bond compositions, saying it was one of the finest piece of music he had written for a Bond movie; also because of the pleasure of working with Louis Armstrong

Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo",[a] "Satch", and "Pops", was an American trumpeter, composer, vocalist, and actor who was among the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in the history of jazz.[ In 2017, he was inducted into the Rhythm & Blues Hall of Fame.

Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance.Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band. In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and relocated to New York in order to join Fletcher Henderson's band.

With his instantly recognizable rich, gravelly voice, Armstrong was also an influential singer and skillful improviser, bending the lyrics and melody of a song. He was also skilled at scat singing. Armstrong is renowned for his charismatic stage presence and voice as well as his trumpet playing. By the end of Armstrong's career in the 1960s, his influence had spread to popular music in general. Armstrong was one of the first popular African-American entertainers to "cross over" to wide popularity with white (and international) audiences. He rarely publicly politicized his race, to the dismay of fellow African Americans, but took a well-publicized stand for desegregation in the Little Rock crisis. He was able to access the upper echelons of American society at a time when this was difficult for black men.

Armstrong appeared in films such as High Society (1956) alongside Bing Crosby, Grace Kelly, and Frank Sinatra, and Hello, Dolly! (1969) starring Barbra Streisand. He received many accolades including three Grammy Award nominations and a win for his vocal performance of Hello, Dolly! in 1964